Thursday, December 31, 2009

Last Year's Punchneedle Kits and Subsequent Gifts



I just love trying all sorts of different crafts and decided that I wanted to try punchneedle last year. So, when I was shopping at a colonial store in Sturbridge I decided to buy a few punchneedle kits.

If you don't know what punchneedle is it is basically the weaving of DMC embroidery floss onto a reverse pre-printed even-weave type fabric to create a specific picture. You are basically punching the reverse pre-printed side of the fabric to follow the design and are creating the punch-needle effect on the wrong side of the fabric (i.e. the non pre-printed side).

At first punchneedle seems a little intimidating, but once you understand how to thread the needle, how to position the needle tip, how to set the depth to set the needle, and how to continuously punch in a straight line using very tiny spacing it's easy to do.  Plus, if you don't like how the stitching turns out you can just rip it out and start again.  What tends to be more irritating and annoying is separating the long floss threads and trying to keep the long floss threads from knotting. 

Well, I have to tell you that I absolutely love punchneedle. You can complete most of the punchneedle kits in a day or so and I was easily able to take my kit and embroidery hoop with me where ever I went so I could work on it in my spare time. Like I have any of that! LOL

Tuesday, December 29, 2009

My Victorian Village Created From The Dimensions The Gold Collection Kit #8785 Christmas Village Ornaments Kit


During the last few months I have been happily creating some of the items from punch-needle, cross-stitch, and needle felting kits I had purchased during the spring. All of the kits were purchased with the thought of giving the finished projects as Christmas gifts this year or next.

Of course, like everything I create I tend to fall in love with the finished products. Some more so than others. Some so much so that I selfishly decide to keep them for myself and my home decor.

Well, I have to tell you that I absolutely fell in love with my Dimensions Needlecrafts Counted Cross Stitch, Christmas Village Ornaments. Now I know that wasn't the intent, but I couldn't help myself with my Victorian houses. If it's Victorian it's right up my alley. Ya think!!!! LOL LOL

My Victorian house village was created based upon a Dimensions Needlecrafts Counted Cross Stitch, Christmas Village Ornaments kit. It was supposed to be a series of Victorian house ornaments with a cross-stitch front and felt cloth back outlined with a braided gold band.

However, I didn't make my Victorian village as cloth ornaments. Instead, I enlisted the help of my younger brother to create wood shadowboxes that I painted with a blue/white/green sponge affect.

My Victorian village includes the following:


A fabulous blue house....


A traditional Victorian pink lady......

Friday, March 20, 2009

Cross Stitch Gold Collection Cubes For Christmas 2009



If you're a reader of my Linda's Blog you know that I love to craft and my interests are not just limited to one type of craft. Or two types of crafts. Even three types of craft. Oh, no! Not me.

I have to be interested in just about every kind of craft there is. That's thousands of different crafts. Never anything in moderation as far as I'm concerned. Oh, no! Not me!

Have I mentioned I'm little obsessive! Ya think?

Well, while creating some of the punch-needle shadowbox kits this spring and summer I found some cross-stitch kits that I wanted to try. I hadn't done any cross-stitching in the last 20 years or so and thought I might enjoy it once again. If I remembered correctly (which these days might not be the case given that menopause plays tricks with your memory - or so I keep telling myself) I thought I had really enjoyed doing cross-stitch years ago. So, I decided to buy a few kits.

Well, one of the kits that I bought which was going to be a present for my sister turned out to be the cross-stitch kit from hell! I had a difficult time following the instructions and trying to convert them to my blank cross stitch fabric. I finally managed to get the knack of it after practically going blind and my piece actually turned out rather well - at least I thought so. It was the largest cross-stitch kit I had bought and in retrospect I should have started with something a little smaller like the cross-stitch kits which created the shadowboxes above and below.

The cross-stitch patterns below were from a "Dimensions Gold Collection - Kit #8704 - Beaded Elegance Ornaments" pattern and were supposed to be stuffed ornaments finished with a felt backing. I made them into sponge finished wood shadowboxes that can be displayed various ways.

The "Dimensions Gold Collection - Kit #8704 - Beaded Elegance Ornaments" pattern  was easy to understand for the most part.  I loved the three dimensional aspect of the designs where thread was layered on top of the cross stitch to outline and emphasize and the inclusion of gold beads.

The only negative to the kit was that they should have included more of the fabric as I found when the fabric was cut into six squares that there wasn't enough slack for it to easily fit into my small embroidery hoop.  The original design called for the leaves to be on the outside of the gold frame.  I did not make the ornaments according to their original design because their wasn't enough fabric to do so.   

I also decided to sponge paint the shadowboxes all the same cream color with a splash of gold, silver, and white. Here's the results starting with a pretty wreath with gold beads:




An evergreen basket with yellow french knotted berries.



A snowman with presents.




A teddy bear with green plaid scarf.



A heart which I altered to have the top bows included within the square.



And, two birds in Christmas stockings. 



I used self stick hard press board to attach the cross stitch designs to. I thought I had been very careful when it came to doing this and getting them straight. Unfortunately, the squaring of the shadowboxes proved that not all my press boards were evenly square. As a result I had to do some fudging by adding lace trim here or there.

I guess I was in a bit of the rush this holiday season. Next time I'll spend more time and make sure all the press boards are square.

Tuesday, December 16, 2008

Happy Holidays To All!



To all the readers of my "The Book Review Corner " blog I would like to say:


Have a Wonderful Holiday Season!
Happy Holidays To All!

Wednesday, September 10, 2008

Linda's Review of "My Favorite Felt Sweets" by Joie, Inc.


I have been eying some needle felting and felt craft books for a few months now and have taken a particular interest in the little felt cupcakes that a lot of crafter's have been making as centerpieces for their children's birthday parties.

They just looked so real and yet so inviting. I decided I wanted to learn how to make some. In fact, I wanted to make a whole 3-tier level centerpiece of nothing but felt cupcakes.

Well, low and behold, last week I got an email from Tomoe Sumi of Kodansha America, LLC asking me if I'd like to review "My Favorite Felt Sweets" by Joie, Inc. translated by Yoko Ishiguro.

Well, we talking about a Japanese felt crafting book containing pictures and instructions for making 106 of the cutest felt food items around. And, we are not just talking about cupcakes. We're talking about all sorts of sweets.

My imagination was getting the better of me. Either that or I was really hungry when I decided to answer Tomoe Sumi and tell him I'd be delighted to review "My Favorite Felt Sweets" book.

The book came the other day and I have to tell you that I've been hungry ever since. You just have to see the pictures of these 106 sweet, delectable treats to understand why my mouth is watering.

Forget the real food. Give me the mouth watering non-caloric felt desserts any day.

I keep envisioning a whole table filled with nothing but 3-tier china plates containing felt petit fours, cakes, donuts, and even chocolates. Oh, my! How beautiful and colorful would that picture be!

Couldn't you just imagine giving a friend the perfect diet gift. A box of chocolates filled with nothing but tiny felt chocolates. How marvelous would that be. Not caloric and a gift to last a lifetime.

My Favorite Felt Sweetsis 97 pages long. The first 32 pages are filled with the most mouth watering pictures of 106 different felt edibles you'd ever want to see. The remaining 65 pages are filled with drawn pictorial instructions for making the edibles plus FULL size pattern piece sheets.

They also provide instructions for transferring the patterns, cutting the felt, preparing embroidery floss, how-to's for the various sewing & embroidery stitches, and hints for stuffing and/or cutting foam.

Both the drawn pictorial instructions and the pattern sheets are very easy to follow. My only complaint with the book would be that I think some of the drawn pictorial instructions and pattern piece sheets would have been better suited had they been spaced out a little more and away from the binding of the book. This would have made them easier to read and made photo coping of some of the pattern piece sheets a lot easier. I just hate to destroy the binding of a book just to photocopy some of the pages.

However, the beautiful photographs, the inclusion of 106 marvelous felt sweet projects, and clear instructions more than offset any negatives I may have.

I'm sitting here thinking of all the delectable sweets I'm going to make. Definitely the sponge cake, all the petit fours, the heart shaped tart, mixed beery pie, chocolate vanilla cookies, pinwheels, pancake sandwiches, chocolate gift basket cake, and Christmas cookies.

Plus, the box of chocolates! Oh, my!

I'm having visions of the most colorful holiday dessert table filled with nothing but mouth watering felt desserts and envisioning every one's face upon seeing them.

Oh, my! This is going to be FUN!

I can hardly wait!



Tuesday, September 9, 2008

Linda's Review of Rainbow Sheep by Kim Chatel



I received an email a couple of weeks ago from Kim Chatel telling me that she's an author of children's books and that she had a new book called Rainbow Sheep that was released in May. It was a children's story illustrated with needle-felted fiber art and also contained 2 simple felt crafts for kids.

Kim asked if I would be interested in reviewing it. A children's story with needle felt crafts for kids!

Hmmm.... It didn't take me long to consider Kim's request. Of course I would review it. I was intrigued by the needle felt illustrations and the projects for the kids.

Kim not only send me the book, but sent me one of her wonderful needle felted sheep. It's the cutest blue needle felted sheep and is currently sitting on the top of my computer monitor.

Well, I have to tell you that I just loved Kim's "Rainbow Sheep" book. It is a wonderful story that is warm, enchanting, and lovingly illustrated with the fiber art.

It's the story of a shepherdess named Genevieve who has a very vivid imagination. She encounters a sad rainbow cloud and does everything she can to make him happy. Finally, she does make the cloud happy and when he starts to cry happy tears his colors return. In the middle of this the sheep are caught in the colorful rain drops and forever transformed into rainbow colored sheep.

Kim's book contains 12 wonderful fiber art illustrations. My favorite by far is the mermaid and whale. It is just adorable. It is followed by the jousting seahorses.

In the back of Kim's book there is a short section explaining what needle felting is with a picture of a felting needle and two easy to do felted craft projects for kids: felted soap and needle felted sheep. The former requires no adult supervision. The latter requires adult supervision and is only recommended for children 8 years and older. Both sets of instructions are very easy to follow.

Kim is an accomplished photographer and fiber artist, as well as gifted writer of children's stories. Her website http://www.kimchatel.com is geared towards children and filled with an array of pages for kids to learn about her books, fiber art, her photographs, etc. It is well worth the visit.


Saturday, June 7, 2008

Linda's Review of Artful Paper Dolls - New Ways To Play With Traditional Form by Terry Taylor


As a very young girl I can remember playing with my very first paper doll - Betsy McCall. I would cut Betsy and her clothes out of the magazine ever so carefully. Of course, being a young girl my first attempts at cutting every so carefully didn't go as smooth as I had planned and my mother or grandmother would try to correct for my errors.

I didn't like the paper doll tabs and didn't always utilize them. I quickly learned, however, that the clothes would not stay on the paper doll without them.

I must have a thing for tabs and markers as I also didn't like the triangle placement tabs in sewing patterns when I first started to sew. I would cut them off as well until I learned that for clothing they served a very useful purpose.

Since I had a passion for Victorian dolls from a very young age I loved playing with my Victorian paper dolls. I could sit for hours on end just putting this outfit on or that outfit. When I was finished playing with my paper dolls I would put them back in a cardboard cigar box that my grandfather had given to me for storing them.

Back them I would never have foreseen the enormous explosion in the paper industry that has occurred over the last decade. Nor could I have foreseen that paper dolls would become and art form in its' own right. Who would have know that altered art and mixed media creations would rule the art world in the 21st century.

One of the books I bought last year was Artful Paper Dolls: New Ways to Play with a Traditional Form. Even at first glance I was immediately taken by the visually stunning paper creations of some 22 well known designers.

On every page was yet another beautiful paper doll creation that I wanted to try. Of course, there isn't any kind of doll, paper included, that I haven't wanted to try and make. My problem is always one of time. There are just not enough hours in the day, nor days in the year for me to try everything.

Artful Paper Dolls is not just a compendium of project after project, it also includes a little bit of history on various paper dolls and paper doll artists. So, it's a perfect book for me as it offers a little bit of history as well as project after project after project.

It is divided into four chapters: Figuring It Out, Playing Dress Up, Playing House, and Learning From Books. Each chapter has a multitude of sections and a multitude of paper doll creations to try. I, of course, loved them all but was especially taken with the Disjointed Figure, Elisabeth's Doppelganger (which is a life-size paper doll), My Memory Doll, Secret Messenger Doll, the section on playing dress up, Old Woman In Purple, Stitched Paper Dolls, Sunday Best Dress, and Paper Doll Magnets.

I also enjoyed the chapter on "Who Is Betsy McCall" and "Tom Tierney's World Of Paper Dolls."

If you love paper dolls, mixed media art, and altered art images then you will love "Artful Paper Dolls." Several of the corners of the pages in my book have been turned over as a reminder to me that I want to try that project. I know that I shouldn't do that to the pages of my books, but sometimes childhood habits are hard to break. You could also say that sometimes childhood loves last forever. For me a love of paper dolls certainly has. Now where are my scissors?



Sunday, June 1, 2008

Linda's Review of Cloth Dolls From Ancient To Modern by Linda Edward



If you are a reader of my Linda's Blog then you know that I just love dolls and books about dolls, especially cloth dolls.

One of the books that I bought last year was Cloth Dolls: From Ancient to Modern : A Collector's Guide (A Schiffer Book for Collectors). It is a collectors guide of cloth dolls and their values and I was especially interested in it because it contained cloth dolls, which up to this point in time were often overlooked by the doll collecting society as a whole.

I never understood this as I always thought that the category of dolls would include dolls with cloth heads as well as dolls with wood, china, bisque, clay, or cernit heads. Fortunately cloth dolls are gaining in popularity amongst collectors and especially amongst the ever growing segment of people who love "primitives." Unfortunately, cloth doesn't always survive well over time so there are not a lot of examples of really ancient dolls made solely of cloth around.

Cloth Dolls: From Ancient to Modern : A Collector's Guide (A Schiffer Book for Collectors) starts with a small chapter about cloth dolls of long ago. Unfortunately, not a lot survived.

Chapter 2 contains homemade rag dolls of the 19Th and 20Th century and has several pages of wonderful pictures of dolls and a brief history of cloth dolls during that period along with mention of the 1st doll patterns. Looking at the pictures of the dolls I couldn't help but wonder who the creator was, who the recipient was, and why the doll was made.

Chapter 3 covers the cottage industry dolls of the 19Th and 20Th century. What captured my attention was a line from the 1st paragraph that stated, "In the world of cloth dolls it is very interesting to note that most of these companies were started and run by women." My guess would be that a LOT of these women were mothers who had started out just sewing dolls for their children.

In Chapter 3 you will find information and pictures of Izannah F. Walker who started making dolls around 1840, Roxanna E. Cole, Moravian Rag Dolls, Martha L. Wellington, Presbyterian Rag Dolls , Columbian Rag Dolls, Mother's Congress Dolls, The Alabama Indestructible Doll, Kathe Kruse, Martha Jenks Chase, Missionary Rag Babies, Philadelphia Rag Babies, Anne Maxwell, Gertrude F. Robinson, Wold War I Paris, Tynietoy, Kamkins, and Regional Dress Doll.

Chapter 4 covers big business rag dolls in the 19Th and 20Th century. These are large scale factories and whole sellers including: Montanari, George Hawkins, Carl Weigand, Worsted Dolls, Steiff Dolls, Babyland Rag Dolls, Bruckner Dolls, Dean's Rag Book Co., Krueger Dolls, Jane Gray Co., Farnell-Alpha Toys, American Art Dolls, and one of my favorite sections - Raggedy Ann and Andy.

It also includes Chad Valley Dolls, Bing Art Dolls, Lenci, Messina-Vat, Madame Alexander, Norah Wellings, Liberty of London, Nelke Dolls, Georgene Novelties/Madame Hendron, Averill Manufacturing Co., Mollye Goldman, Poupees Raynal, Venus, Gre-Poir, The Blossom Doll Co., Ideal Novelty and Toy Co., and Hallmark Dolls.

Chapter 5 is a lovely chapter devoted to dolls by the yard - cut and sew dolls. It includes E.S. Peck, Arnold Printworks, Cocheco Manufacturing Company, Gutsell Dolls, Art Fabric Mills, Horsman, Dean's Rag Book Co., Saalfield Publishing Co., and The Toy Works.

Chapter 6 is devoted to 20Th century advertising and personality dolls. These include The Chase Bag Co. whose 1st advertising doll was "The Jolly Green Giant", Miscellaneous Advertising Dolls, Personality Dolls, and Knickerbocker dolls like "The Campbell's Soup Kid."

Chapter 7 is devoted to doll artists of the 20Th century such as, Grace Dayton, Celia and Charoty Smith, Dorothy Heizer, Frances and Bernard Ravca, Dewees Cochran, Annalee Mobilitee Dolls, WPA Dolls, Dianne Dengel, R. John Wright, Xavier Roberts, and Current cloth Doll Artists - of which there are many pictures.

If you are a lover of cloth dolls in particular or "primitive dolls" then Cloth Dolls: From Ancient to Modern : A Collector's Guide (A Schiffer Book for Collectors) is a fascinating read and a must have for the serious cloth doll collector. I especially loved the section on Raggedy Ann and Andy as it contained several pages of information on the history of these dolls that I was not aware of before.


Friday, February 15, 2008

Pat Winter's NEW Book


I have exciting news. A crafting friend of mine just published her first book on BLURB.com which is self-publishing website.

If you don't know what a self-publishing website is it is where you can actually create your own book just for yourself or create a book to be published to the general public. It's a terrific concept and one I'm thinking of looking into.

In any event Pat Winter is my crafting friend's name and the book she just published is called "Pat Winter's Gatherings - My Crazy Quilting Journey." It's a book about Pat's unbelievable crazy quilt creations.

Here's Blurb's description: This book takes you through the garden of the Author and into her world of crazy quilting. Florals in silk ribbon embroidery, beading, stitching encrust fabrics and bring them alive with elements of nature scattered throughout her work. Photos of her prize winning crazy quilt and numerous other works shown in full color are offered to inspire. She has sprinkled a few projects along the path in hopes to encourage the reader to try their hand at this beautiful Art of Crazy Quilting. www.patwintergatherings.com

Pat is also the creator of "The Comfort Doll Project" which I posted about on my Linda's Blog. If you'd like to read my post, just CLICK HERE for the article.

From what I understand Pat's book is already on the self-publishing best seller list. I'm not surprised. Pat is unbelievably gifted and talented.

CONGRATULATIONS, Pat. YOU GO GIRL!



Sunday, September 16, 2007

What Could Be Better Than Handcrafted Books? Linda's Review of Creating Handmade Books by Alisa Golden



When I first saw Creating Handmade Books I immediately thought about books for my grandchildren. After all, I'm a HUGE proponent of reading. If you're familiar with my blogs you know that I always buy books for the grandchildren for Christmas. To me there is nothing better than reading and improving one's mind.

So, when I saw "Creating Handmade Books" I was intrigued. According to the back page "take one piece of paper...a pair of scissors...and you have the tools to make a book! Now how much fun would that be to create a book. And, talk about family heirlooms. I decided that I definitely had to find the time to make some of these.

In the preface Lisa gives us a little insight into her background and experience in the field of book arts. I found her journey fascinating and especially loved her sentence, "In 1997 Michael and I had a son, Ezra. He currently eats books."

The introduction outlines basic tools, sizes, and terms that you need to know. After that Alisa provides step-by-step instructions and illustrations for making cut & folded books, simple sewn structures, simple adhesive structures, intermediate compound structures, multiple signatures or thick sewn books, Jacob's ladders, soft and hard covers, portfolios and boxes, easy ways of decorating paper, and portable books.

The cut and folded books section shows you how to make a hidden book, simple accordion, simple accordion with tunnel, twist card, house card, palm leaf book, venetian blind book, simple pop-up card, fan book, and slot & tab book.

In simple sewn structures we learn a few basics and then are shown how to make a ledger hanging book, utilize stick binding, make a side-bound book, utilize single signature binding, make a two-sewn-as-one book, and make a tea bag book.

With simple adhesive structures we learn about making a flower fold, album-flutterbook, concertina with tabs, endless accordion, tunnel book, accordion-fold book, circle accordion, hand scroll, and hanging scroll.

Intermediate compound structures introduces an accordion with signatures, pocket book, flag book, and piano hinge with skewers.

Multiple signatures or Thick Sewn Books shows you knots for multiple signatures, western multiple signatures, multiple signature onto a ribbon, exposed stitch, and chain stitch.

The Jacob's ladder section introduces two panel with (or without) cards, and a six-panel book with boards and ribbon.

Soft and hard covers introduces information on working with glue, soft wrap cover, open spine soft cover, open spine with ribbon, wrapped hard cover, hard covers, insetting a title, and backing cloth. Projects include covering separate boards, split boards, hard cover:side-bound, hard cover: single signature, hard cover:multiple signature, hard cover: with ribbon, hard cover: accordion/signature combination of hinged cover, and hard cover: ribbons at spine.

Portfolios and boxes shows you how to make a folded envelope, pocket folder, paper portfolio, painted slipcase, covered slipcase, hardcover portfolio with ribbon tie, hardcover portfolio with envelope pocket, postcard portfolio, two-piece box, and clamshell or presentation box.

Easy ways of decorating paper introduces you to stenciling, carving rubber stamps, and painting with acrylics.

All throughout her book Alisa takes you on a journey of her life and her creations. She also provides you with tips and how-to's she's learned based upon her experience. Her book is a filled to the brim with everything you need to know to create a handmade book.

If you are looking for a challenge and looking for something that is truly unique then you should try your hand at making one of these elegant and romantic creations.

I haven't quite decided which book I'll choose for my grandchildren. Knowing me I'll probably choose several. Since I have no experience with book arts I think I'd better start at the beginning of Alisa's book and make my way to the back. By the time I finish following Alisa's step-by-step instructions I should have some wonderful heirlooms for my grandchildren.



Saturday, September 15, 2007

How About Some Fabric Covered Journals? Linda's Review of Fabric Art Journals by Pam Sussman


Several years ago I decided to make fabric covered journals for my twin granddaughters. They were in junior high school at the time and I wanted something a little different as one of their presents for Christmas that year. So, I decided to create the journals.

Foolishly I didn't take a picture of them, but I can tell you that I thoroughly enjoyed making them. They were nothing like the journals I'm about to tell you about. Mine were crudely covered three ring binders, but they were pretty all the same.

When I saw the book Fabric Art Journals: Making, Sewing, and Embellishing Journals from Cloth and Fibers (Quarry Book)  by Pam Sussman during bookstore shopping trip with my Mother it reminded me of the crude journals I had made so I decided to flip through it.

There is a quote from Pam Sussman on the back cover that says, "Fabric books simply beg to be touched and experienced through the hands as well as the eyes." I couldn't agree more.

I might add that sometimes the fabric journals become works of art all unto themselves and beg you to just look at them. Like other works of art - to touch them you might just ruin them.

Since I am a lover of anything made with fabric whether it is a bowl, a box, a quilted landscape, ATC's (artist trading cards), floral fashions, dolls, baskets, altered art, etc. I knew that I would like this book.

Pam's book covers the basics of creating fabric art journals and then embellishing them. It includes 8 projects - 3 for beginners, 3 for intermediate journal makers, and 2 with advance binding techniques. Templates for the 8 projects are found in the very back of the book.

In the section on the basics of fabric art journals you'll find information on fabric journal tools, fabric journals versus paper journals, hand sewing versus machine sewing, accurate measuring and cutting, pressing, choosing fabrics and thread, inner support, basic sewing stitches, and basic edge finishes. Basically, everything you need to know to try creating fabric art journals.

In the embellishments section you learn about tea-dyeing fabrics, painting fabrics, adding words to cloth pages, image transfers, applique, art quilting, easy embroidery, eyelets and other hardware, button, fancy edges, fancy closures, beads, and trims. Each page is filled with pictures and/or illustrations as well as how-to's or step-by-step instructions.

In the fabric book projects section Pam shows you with step-by-step illustrations how to make a muslin journal, concertina journal, button-bound book, tape bound journal, fabric-stitch journal, house box journal, coptic-bound journal, and dream journal.

Flipping through these sections I found myself thinking that I could make that or wouldn't that be a wonderful gift for so and so. I wanted to try all of them. Then again, if you know me, you know my desire to try everything and anything crafty is much larger than the constraints of time. I need to clone ME.

In the back of the book there is a Gallery chapter filled with pictures of fabric art journals created by other artists. They are all unbelievable and you really need to see them for yourself. The pictures are beautiful, but I'm sure they don't do some of these fabric art journals justice. They truly are works of art.

During this shopping trip after a while my Mother appeared and asked me what was taking me so long. I showed her the book I was looking at. She was intrigued and wanted to see some of the projects, too. We both loved them all and agreed that we should at least try making one or two, okay maybe three of them. The problem is how to choose. We love them all.

If you are looking for a challenge and looking for something that is truly unique then you should try your hand at making a fabric art journal. I'm sure if you gave it to someone as a gift that it would become a family heirloom.

Of course, if I could clone myself I'd make all of the fabric art journals in this book and many, many more. They are just so unique and so pretty. Pretty little works of art.



Friday, September 14, 2007

Linda's Review of Origami Flowers by Hiromi Hayashi


Last time I was out shopping with my Mother at one of our local bookstores one book in particular caught my eye and I just had to buy it. It was called "Origami Flowers: Popular Blossoms and Creative Bouquets."

What drew me to this book was that it involved paper florals. Paper crafts and floral crafts. Not quilling, but still involving shaping paper to form floral bouquets. It couldn't get any better than that as far as I was concerned. Then again, I love everything. So, of course, I showed the book to my Mother. She was intrigued so we started to browse through it.

If you are a reader of my Linda's Blog you know that not only do I love dolls, doll making, crafts, and craft making, but I am also a floral designer. I love creating silk floral arrangements, pinecone baskets, dried floral arrangements, floral trees, just about anything floral. So, of course, paper floral bouquets piqued my curiosity. I suspect my Mother wasn't surprised by this.

"Qrigami Flowers" shows you how to take square origami paper and shape, bend, fold, and twist it into beautiful flowers. I was doubly thrilled when I looked down the list of flowers in the table of contents. My all time favorite natural flower was there - a dahlia. My sister and I have had a fascination with dahlia's since we were both little and love to grow them in our gardens.

In any event, 29 different types of flowers are shown including my second all time favorite flower - the Japanese Iris. Hiromi has included a rose, hyacinth, stock, tulip, carnation, violet, pansy, narcissus, dokudami, cineraria, polyanthus Primrose, gerbera, zinnia, Japanese iris, hollyhock, hydrangea, blue star, morning glory, begonia, sunflower, dahlia, clematis, lily, orchid, spray mum, cornflower, cosmos, balloon flower, and cyclamen.

The beginning of the book includes large colorful pictures of each floral creation. That is followed by definitions of origami symbols and shapes. Following this are the step-by-step instructions for creating each of the flowers. On paper it doesn't quite look as difficult as I'm sure it is. The instructions are very detailed and look like they'd be easy to follow. Hiromi also includes the paper supplies needed for each flower and any other materials that are required. Actual size leaf patterns are also included in the back of the book.

Besides the dahlia and Japanese iris I would like to try my hand at the violet, cineraria, zinnia, gerbera, sunflower, clematis, cornflower, and balloon flower. I just love the looks of each of them. Maybe I could get so good at creating paper floral creations that no one will be able to tell my paper floral creations from my real plants.

When I mentioned this to my Mother she just said, "Sure, honey." Translation - you can try it, but there is no way paper is ever going to look as good as the real thing. My Mother, of course, unlike me was born with a green thumb. She's had some of her plants for over 50 years.

So I said, "They might not be the real thing, but they sure would be colorful creations. And, best of all they are maintenance free. No watering, no fertilizing, no bug-spray. What could be better than that. Year round, maintenance free plants. I love it."

She said, "Just buy the book honey and let's go!" So I did.



Thursday, September 13, 2007

An Obsession With Paper? Or Quilling?

I suspect that I am not unlike a lot of crafter's out there. I love and want to try everything. The problem is there are not enough hours in the day to try everything I want to try. I literally could spend 24 hours every day and always be learning some new craft. Not practical I know, but one can dream.

Several years ago I made a Christmas present for my niece that involved quilling from a kit that I had bought. I had never heard of quilling and was intrigued by this kit and wanted to give it a try.

If you don't know what quilling is it is cutting, rolling and twisting paper to form decorative pieces. My particular present was a miniature garden picture (see photo above) where I cut and quilled the paper to look like various plants. I enclosed it in an 8x10 shadowbox to give it a three dimensional appearance. She loved it which certainly made me happy. Even my brother loved it - which is an accomplishment all unto itself.

In any event I became interested in paper and paper crafts from that point onward. This was just before paper, scrapbooking, and altered art became such a phenomenal success. When the latter happened I, of course, was thrilled as I loved seeing the hundreds of paper projects and availability of supplies that they were creating for the masses. I, of course, wanted to try everything, which I know would be impossible.

So, I decided to try another quilling project. This one involved quilling the paper to look like various types of herbs. It came out alright and I decided to enclose this one in an 8x10" frame with a solid blue mat.

From time to time when I'm out book shopping or browsing through the local craft stores I look to see if there are any books or kits on quilling. Most of the time there aren't any. Quilling still hasn't quite caught on here. I don't know why because paper crafts have become such a phenomenal success. I can't quite understand why quilling hasn't.

Who can resist learning how to decorate everything from jewelry to home accessories with quilling designs? Certainly not me.

I've got my eye on three quilling books for my wishlist. If I get them I'll be sure to write a review of them for you.

Maybe I've piqued your curiosity as to what quilling is. Maybe you'll give it a try. If you do please be sure to let us know how you liked it. I hope you find it as intriguing as I did.

Wednesday, September 12, 2007

Linda's Review of Creating Romantic Purses by Marilyn Green & Carole Cree



Creating Romantic Purses: Patterns & Instructions for Unique Handbags was a perfect choice for the 3rd book to be reviewed for books about handbags, purses, and totes as nothing could be more Victorian looking than romantic purses.

What drew me to this book, once again, was the picture of the two purses on the front cover. They are both romantic and Victorian looking in nature. And readers of my Linda's Blog know how I love anything and everything Victorian.

"Creating Romantic Purses" contains patterns and instructions for making 40 elegant creations that according to the book, "can be worn night and day." And, elegant they all are.

I was intrigued so I began to browse through this book. I didn't need to go any further than the first purse to know that I was going to love this book.

The first purse is in Chapter two which is entitled " Hold History In Your Hand" and is a crazy quilt purse from the Victorian era. History and the Victorian era - I was enthralled. This is definitely a purse that I want to make. It is a Victorian Vignette and is an exquisitely beautiful creation. And, of course, there is all the history surrounding it and Queen Victoria.

Each purse within the book contains information on the materials needed to make the purse, embellishments, patterns and instructions. The patterns and instructions are shown in detail in the back of the book as some of the same patterns and instructions are used to make several different purses in this book.

Flipping through this book I found purse after purse after purse that were just so beautiful to look at. Each and every one of them was a beautiful creation all unto it's own. Almost like masterpieces. I wanted them all. However, one can't make 40 different purses now can they? And, where would I store all of them? Knowing me I'd make them just to look at them.

In any event, I do have my favorites and they would be the "Victorian Vignette" on page 12, the "Timeless Classic" on page 22, "Polka Dance" on page 42, "Fringe Benefits" on page 44, "Tussy Mussy" on page 58, "Beaded Beauty" on page 60, and "Vintage Nosegay" on page 76.

Seven purses that I would love to make. That's not to say that I don't want to make all of them. I do. It's just you need to start somewhere and here is where I would start.

If you are looking for a challenge and looking for something that is truly unique then you should try your hand at making one of these elegant and romantic creations.

Of course, if I had my way I'd make all of these purses and all of the purses from the other two books I recently reviewed. Hundreds of purses. I can hear "hubby" now. "Where are you going to put all of those and where are you going that you would need them?" Ah, but one can dream. And, what's better than dreaming or inspiring to make such beautiful creations?